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Grateful Dead Live at Hampton Coliseum on 1985-03-21




Set 1

Alabama Getaway ->
Greatest Story Ever Told
They Love Each Other
El Paso
Tennessee Jed
I Ain't Superstitious ->
Down In The Bottom
Dupree's DiamondBlues
Looks Like Rain ->
Might As Well

Set 2

China Cat Sunflower ->
I Know You Rider
Playing In The Band ->
Drums ->
Space ->
The Wheel ->
The Other One ->
Wharf Rat ->
Around And Around ->
Johnny B. Goode

Encore
Keep Your Day Job


Collection GratefulDead
Band/Artist Grateful Dead
Date March 21, 1985
Venue Hampton Coliseum
Location Hampton, VA

Source nak 300 mics > sony d5 > MAC
Lineage MAC > nak dragon deck > creative extigy souncard>cool edit pro >flac frontend
Taped by Joe D'Amico
Transferred by Joe D'Amico


Reviews

Reviewer: VDub757 - - May 5, 2010
Subject: Hampton Coliseum
I love listening to this show at work. I am from Virginia and have seen many shows at the Hampton Coliseum so I can just sit back at work and get lost is Jerry’s face melting jams During China cat>, then let time fad away with Billy and Mickey’s Drum to Phil’s heady bass space situation before the boys roll back in to the wheel>other ones, to one of my personally favorite wharf rats.
Also I love listening to the show since the coliseum is so big and the acoustics bounce around like crazy, you can hear the spaciousness during the recording. Good job to taper Joe D'Amico. Over all a good Virginia Hampton Coliseum, the boys always give VA good heady jams to get us by till their next visit. Or in some cases until the boys bring the lost boys of VA back home. I love this web site and I love how we can review the tapers equipment and listen to others heads stories of their shows. I don’t get anything at work done since I found this site, keep up the good work guys, and let’s keep the reviews positive, it makes no sense when people bash a show, it’s the dead bro, some time there on some times their off, take it or leave it, just don’t get all negative on my (our) music. Por favor!
Also I love listening to the show since the coliseum is so big and the acoustics bounce around like crazy, you can hear the spaciousness during the recording. Good job to taper Joe D'Amico. Over all a good Virginia Hampton Coliseum, the boys always give VA good heady jams to get us by till their next visit. Or in some cases until the boys bring the lost boys of VA back home. I love this web site and I love how we can review the tapers equipment and listen to others heads stories of their shows. I don’t get anything at work done since I found this site, keep up the good work guys, and let’s keep the reviews positive, it makes no sense when people bash a show, it’s the dead bro, some time there on some times their off, take it or leave it, just don’t get all negative on my (our) music. Por favor!
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=11362) Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner + AUD1 (shn id 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - DTS mixing by Kevin Tobin
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90); Recorded FOB from floor Section 3, Row Q, Seat 8
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Source: Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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Source: Nak300>CP4>D5 no dolby; ots dfc mics @10ft pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.5>cdwave splits>tlh flac8
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Beyer's Unknown Make > Sony TC-D5M; Tapes: Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled: Master - 2 Beyer, T.D.; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Joe Morrone.